Here are a few papers dealing with particular aspects of the inner song. They were developed during the dissertation writing years, and are therefore the fruit of “thinking in motion”.
Phenomenological description of the notion of Inner Song
Grasping the Inner Song through the Method of the Phenomenological Epoché
The Performance Attitude and its two Phenomena
Anticipation in Music Performance – listenning to the Inner Song ahead of its Realization in Performance
The Inner Rythm as the Foundation of the Inner Song